For the first time in my 14 years in a row attending Cannes Lions, I spent most of the first half of the festival in the bowels of the Martinez, sitting in conference rooms, some without any windows. But it was pure joy because we had the good fortune of having to prepare for Titanium, Glass and Innovation Lions presentations. The involvement, care and focus this required made it one of the highlights of my week. Ideas shape differently, relationships and bonding between clients and agency get stronger and campaigns suddenly have a second life. It was great. All of us, together, focused on the work.
 
When I finally abandoned those beige-carpeted rooms, I found a different picture. Here are my thoughts on the 2024 Cannes Lions.

Calendar obligations took over

We were busy this year. No one seemed to have time for anything as if an evil AI update had taken over our calendars to steer us away from the most important thing: seeing and talking about the creative work.
 
This is our own doing. As the festival has grown to include more activations, more marketers, tech platforms, media giants and social media creators, it can’t force us to go downstairs in the Palais and walk around to see the work. We have to impose it on ourselves, against our crazy ambitions to meet every possible client, shine in three different panels at the same time and give free hugs to everyone.

And it is a must. Going to the Palais and experiencing people’s reactions to the work in real life reminds us of the impact of our creativity and our efforts. Observing our clients’ excitement (or plain jealousy) over great ideas is the validation we need to keep pushing. Missing that because we are running from meeting to meeting is a shame.